Icelandic culture is about facing others, from a group, not about facing emptiness as an individual and then coming together as a group.
So, how long can Icelanders continue to be enamoured of U.S. culture, which is built around the opposite? It seems an uneasy fit. Is it an island thing?
Most Icelanders live in Greater Reykjavik, and most live in beautiful subdivisions and new apartment neighbourhoods between the mountains and the sea. Everything is practical, tidy, and simple, in keeping with a people having to pay for maintaining a country in the face of large currencies and their power. Things get a little harder out in small towns and in the countryside, as they do in downtown Reykjavik. That’s the old part of town, the one with the greatest need for being rebuilt to better standards, and the only one that lower-earning Icelanders can afford to live in. It’s also the place where the (estimated 2.5 million this year) tourists settle. The significance? Tourists (like me, blush) with the power of foreign currencies behind them are displacing a vital part of Iceland. In touring the indigenous parts of Reykjavik, I have failed to run into other tourists, not in the suburbs and not here, right downtown. The separation is, sadly, complete. How could this be good for the soul?
Isn’t this a better tour than another visit to geysir in the orange muck?
Never say there isn’t humour, art and beauty in Iceland.
Iceland: an island of glass and mirrors in the North Atlantic.
The sheep of Iceland, bless them, have eaten the place down to rock.
They just don’t trust trees. Or rivers. Sheep, they like sheep. So they herd trees, They put them out to pasture.And that’s nature in Iceland: a project made out of sheep, government subsidy and resistance, often all at once. Oh, and depopulation. Iceland is an urban country. Rather than being nature, the land is a kind of ruin. Brrr.Everyone, time to go home. You can so farm a city, just not on work days.
That nature stuff is for tourists.
I like to think of this monolith in Reykjavik’s old harbour, near the Viðey Ferry and the industrial docks, as the mother of the city. Look at the sand she has drawn out of the sea’s currents and sheltered here…
… sand perfect for Ingólfur’s long boat in 870. In a country in which most beaches are stretches of surf or keel-ripping rock, that is no small thing. Here is the mother of the city. And look at her, isn’t she gorgeous? Wouldn’t you put into shore for her?
Hey, welcome to Alfaborg, the mystical city of the elves in Borgarfjörðar Estri. The Borg in the west, was the city of men. Here, completely across the country, live the elves, in their own Borg.
Except, until the twelfth century, there were no álfar, or elves. That was an idea imported from France, which was laid on folk experience of all the varied people who came to Iceland and made up its founding lines. This would have been home to the bergbúar, the rock dwellers. East
Not dwarves, exactly. That is a different folk lineage, into which several lines were folded over time, under the effects of European modernization and a half millenium of the consolidation of folk tale into unified stories onto which national narratives could be written. What became known as elves, in a process of consolidation, also originally held the landvættir, or nature spirits. They lived on the land itself. So, this is likely a home of rock dwellers.
Why, landvættir. And here. West
Luckily, there is more to history than the history of nationalism, and more to living on earth than the consolidation of diverse encounters and traditions with abstraction and consolidation.
We are still the earth dreaming.