A Farm Road in South Iceland
One jolt of hormones lasts centuries here.
In Iceland, the major architectural monuments from the past are also way-finding cairns of stones passing across inhospitable terrain. They were essential for commerce and the maintaining of a low technology culture in a harsh environment. They are now essential links to the past, as important to Icelanders as, say, the pyramids in Egypt or the Strasbourg Cathedral in France. In other words, they led somewhere, and still lead somewhere important, even as people continue to try to read them.
Unfortunately, many contemporary visitors to Iceland, being humans and liking to make their own presence into lasting magical gestures, a signature of their kind, obscure the landscapes with their mark-making. Please don’t. It’s ugly and aimless. They don’t let you do it in Paris. Respect goes a long way towards creating beauty.
It used to have trees, and it is eaten by sheep. A little bit of replanting has been done. Here are some Siberian larches in East iceland, placed in like a quilting block.
One works with what one knows. Everything else is a compromise. Spiritually, as I showed you yesterday, the compromise is between paganism and Christianity. Environmentally, it is between earth before and after settlement. Below is an image of Iceland flowing to sea, which is called the force of wild nature.
Well, yes… wild nature with sheep and shivering humans. Iceland is not an indigenous nation. It is a nation of settlers. Settlement is an ongoing process. It is at the root of the country’s past and future. This is what it looks like.
It also looks like this:
The point is, when you live on a sub-arctic island, and keep sheep, everything is hay, as the Icelanders say, meaning that when the hay runs out in the middle of the winter you will feed your sheep anything — anything — to survive. Even this:
Yesterday, I surmised that the Nordic eye that is neither thought nor memory, and thus not consciousness, is the body, looking out, and asked what it was that we are looking at with that eye. I suggested vision, a presence of being rendered physical.
If that is what we are looking at, it is quite foreign to the contemporary world. Today, human eyes look out to see the social, at all times.
At any rate, it’s quite different from a human/non-human relationship of being, such as Iceland-outside-of-Reykjavik:
But, here’s the question: is that relationship social, too? But not “social” in terms of human-to-human interactions?
And so, we come, as we seem to always do, to another question: if there is a non-human social relationship, what is it with, or, perhaps better put, what is a human social relationship when it includes non-peoples?
This globally precious land in a country that claims to be an environmental leader is about to be sold for tourist developement. Perhaps this image shows why it is not being made into a national park instead, which would be the responsible, wise course to meet tourism and environmental goals together.
Note the catastrophic lava field that obliterated the original farms in modern memory, the excavator digging gravel out of the river, a forbidden practice in many countries but likely under government subsidy here, to enable farmers to stay on the land, and the farm up on the poorly-productive high country, away from that lava gick. This is a story of survival by harnessing energy to an austere, hierarchal system of political order. The fear is palpable, but the land…
… is palpable, too. Environmental laws mean nothing if this land is not protected from crass development. The soul of the nation is here. Development is inevitable, and in true Icelandic fashion, it will be industrial and in place, and it should be. Restraint, though, is also Icelandic, and it is sorely needed here.
This land, rich in spirit, is as fragile as Iceland. The response to the offer of sale of this land should be as robust as iceland, which means putting some teeth into environmental legislation. The alternative is to become a laughing stock. It’s not desirable, and it’s not necessary.
They can be tracked, the dears. And think they move weightlessly through time and space. It is their art.