Tag Archives: Christianity

Christian Loneliness and Hope in the Icelandic West

After the end of the Christian age, the dead are a bit alone at Hellnar.

Truth is, the graveyard has become a pasture, blowing in the wind under the volcano.

And the hope and loss and grief of all the families that have lost men at sea, is a bit at sea, too.

Let us still honour them, and carry them.

The Heartbreaking and Strangely Uplifting Graveyard in Helena

First, with their church.

Next, with their hay bales. Looks to me like they have been bundled up for harvest themselves.

Next, from their sanctuary.

So must 1100 years of Christian dead comfort themselves when their parishes, and faith, is lost among the living.

Bakkagerðiskirkja in Black and White and Green

In 1914, local boy Johannes Kjarval was starving. Ladies in town asked him to paint an altar for the Bakkagerðiskirkja, the Bakkagerthi Church. He’d spent his childhood herding sheep on the mountain and dreaming of elves, so he painted Christ giving the Sermon on the Mount on the Alfaborg, the elf city behind the church, with all the townsfolk listening, elves and humans.

It has yet to be consecrated by any bishop! But if you go to visit it today, you can see his Iceland still. The elves have been replaced by tourists in campers, and the church remains in darkness, as all good Icelandic interiors are, with 1,000 years of turf houses in their memory.

The Icelandic subconscious lives in a darkness warmed by human presence and looks out through small windows into the light, which is the Earth and not the sun. It’s simply the way it is.

Worlds Within Worlds

 

Light tells its own stories in Þingvellir. We are here to witness. It’s no surprise the Icelanders first called Christ “White Christ.” He was the north, that place from beyond the world. Who nonetheless came, physically, as this Earth, in a harsh and beautiful mercy.


Oxarárfoss

The Thing About an Island

Where there are waves, there is a shore.

They are all different shores.

Some are within you.

You are within some.

Some are bits of drag from the sky moving off the sea and over the island.

Others are the sky taking the island to sea.

These are the shores of life. Gunnar used them as a symbol of Christianity and the hard choices of ethics.

He refused to accept that they were in our control, as strongly as he knew we must cross them.

But that’s why you go to Iceland, right?

To learn your place?

Splitting the Earth Wide Open

In his novel Sworn Brothers, Gunnar writes engagingly of opening the green skin of the earth, forming it into an arch, and swearing an oath beneath it, before the sod is closed again, taking the oath into deep memory and deep time. So was the voyage that led to the founding of Iceland undertaken, with a few nudges from Oðin, that clever wanderer. One can see signs of this story throughout Iceland today. Have a look. The cairns will guide you to the opening.

Here we are at Geirstaðakirkja. Romantic, huh. Sturdy Viking stuff, machine-planed and the works. Note how the earth is split around the church, in traditional Icelandic turf house style. It’s a thing.

Note as well, that it’s not as romantic as it looks. Whew.

Even a Viking-Christian God needs some water for his sheep and a spare battery for his truck, and where to put that stuff, why, in behind the altar. Naturally. Power is power. But I jest. Look more closely at the surroundings. Here is Gunnar’s split Earth again. This time, a boulder broken by frost, and frost in Iceland is a force from beyond the world and deadly to humans.

Ironically, it also opens the Earth for them, and who steps forth but Lazarus drawn forth by the hand of Christ. You can go into their shared grave in the Earth…

… and you can step out again as a different person, into a different world, one cleansed by the journey…

… and then you can feast.

And then? Why, cross the sea.


With grass breaking across your prow and the wind for a sail.

Beautiful Systrafoss

Back in the days before lava covered the best of Iceland and people had to move up onto the hills with their sheep…

… the priests of Kirkjubær …

The basalt column marks the old church.

… were famous for keeping a group of nuns, well, orphan girls for the most part, over at Kirkubærjarklaustur, for the pleasure that could be gained from that …

 

… in just the place the Irish monks (who were on Iceland before the Icelanders) were camping out in caves in the cliffs and living off bird eggs (and then abandoned because a bunch of noisy pagans and their Irish women [slaves aka wives] had moved into town), and I wonder, you know, if the priests didn’t choose the place because the falls are like a bridal veil.

Systrafoss

… that flows down the hill separately, splits around the rock (fine Christian symbolism there) and then unites as one — before flowing through the cloister. We’ll never know, but we do know that the young women were set to work embroidering cloth, and that Icelandic cloth was the best in the world. It would be a surprise if the amorous priests missed out on the symbolism, or didn’t point it out to the girls left in their charge. At any rate, the falls are beautiful, and richer for a history older than Iceland, even though the lava took all the best land away, some say to punish those lascivious priests.

Still, the land’s still good enough for zipping through on a tractor, so all is not lost.

The Four-Directional Icelandic Cross

Following the Old Norse prototypes that long ago divided Iceland into the quadrants of a compass (Still used by the Icelandic Government’s tourism promotion board to label the country as West, North, East and, South Iceland [and don’t you dare travel around the country in the other direction; it only works poorly]), the Icelandic Cross is not divided into two axes, the vertical Heaven axis and the horizontal Earth axis, meeting at the heart, or Christ, but into four quadrants, blending the living and the dead with the action of the mind. It’s why Lazarus is so popular as a figure on Icelandic altars (Christ raised him from the dead, maggots and all), and why the Valþfjófstaðurkirkja looks like this, drawing its graveyard deep into thought.

The pre-Christian rowan trees of the graveyard are welcome as well.