… is how …
… it is done.
Are you surprised?
Wonder no longer.
Of course, that’s old architecture. The new stuff is, like, modern and all. Or maybe not. Here are some apartments in Reykjavik, and the elf stone in front of them, where no developer was allowed to build, because it was already occupied, and you don’t want to mess with magical rocks. Where did that idea come from?
From Snæfellsnes, that’s what. All that’s happened is that people finally got the upper hand and build houses taller than the magical rocks.
Not at all. We just need to go to the Fljotsdalur in the East and all is revealed.
See, two red panels. Nice. Fine, but what about the really tough ones, like the Harpa concert hall?
Pshaw, nothing to it. I guess you didn’t go quite far enough out on Snæfellsnes. Here you go.
And the Harpa:
See? You can be in and out at the same time. That’s the ticket. Now, about the modern brutalism that graces the city…
… well, not modern at all. You can see its model at Ásbyrgi, in the far North.
Oh, one more time. This time, note the air conditioner…
Nice, eh. Where, oh where, does that come from? Again, the far North.
Well, just imagine the building as a flat rather than a height and you’ll see it. It is a crazy island, but if you hang around it long enough it will come into focus.
Book Laundry in Reykjavik
(Other countries launder money, but Icelanders have learned their lessons about messing with crazy stuff like that.)
They make street art. A Mohr’s Circle is a two-dimensional representation of stresses in materials. Compare the representation of stresses above with the more technical one below.
Nice. Here’s Wikipedia’s explanation of just why one might do this:
Internal forces are produced between the particles of a deformable object, assumed as a continuum, as a reaction to applied external forces, i.e., either surface forces or body forces. This reaction follows from Euler’s laws of motion for a continuum, which are equivalent to Newton’s laws of motion for a particle. A measure of the intensity of these internal forces is called stress. Because the object is assumed as a continuum, these internal forces are distributed continuously within the volume of the object.
So, here’s the Icelandic version again:
Lots of permutations through stress there, all delightfully witty.
I think that’s it.