One of the great pleasures of Iceland is to walk up a remote canyon, followed by ravens hoping you will slip and break a leg, and to know that they are your thoughts.
It’s a northern thing. Of course, a country where a bell rope can serve as an improvised noose is a fine place to wander, too.
Darkness is everywhere, but it’s not black. It’s red or something, like blood.
The eye touches the earth as a bodily organ, as much as it does as the hand of the mind.
The mind is as much a heart as it is a muscle. It swims in blood.
Humans can’t see darkness, I read all the time. In Iceland, this illusion just doesn’t wash.
Maybe you can’t see it, but you can touch it, and enter through it the world behind the world.
And what is there?
Why, you are.
This doesn’t work in Reykjavik.
There, under the effect of the outside world, this sense of presence is called art.
One can live there, too. Between worlds.
Trying to catch the attention of passersby. Don’t worry. The world still sees you.
And you still see past it.
The old paths still wait.