But worth going out in the cold for!
You can find pictures of those things in bookshops, for children, without an explanation of the politics behind them. What is that politics? Guess.
In West Iceland, the aluminum plant in Hvalfjörður, which draws power from the dammed highlands, is watched over by the abandoned World War II fighter base that guarded the British Fleet, and which is now gone to the birds.
In East Iceland, the aluminum plant in Reydarfjörður draws power from Skaftafell, in the cloud at the height of the Lagarfljót, watched over by an abandoned horse-drawn manure spreader on the farm Gunnar bought to avoid the Second World War.
These too are the faces of war. In Iceland, which won its independence during the Second World War while its colonial masters in Denmark were occupied by the Germans, that war is honoured by double-edged memorials such as these.
A serious issue! Plus, it’s stylish, eh.
If you turn your head, you can hear even better, but you can’t always do that now, can you. You want to, like stand still.
All together now!
There’s no arguing with it. It’s a thing.
Well, forget the tourist pamphlets, that collect old folktales from the 19th century. Those were created in an attempt to sort out folk stories from the many traditions of Icelandic settlers. Truth is, there are no trolls, not as a non-human, humanoid species.
There is, however, a human ability to centre landscapes in human form. It is this centring, this inseparability from place, that you will find in Iceland, if you wander there outside of books. The secret of trolls is the secret of recognition, because they are the same thing. Many Icelanders today look to New York or London for their mirrors. Not all. You don’t have to, either. A troll is where you find it. You are where you find yourself. Now, recognizing yourself when you see it, ah, now that’s a trick.