Gerðuberg (foreground), with Ytri-Rauðamelskulur in back.
Spirt takes many forms!
It’s time for the Christmas tree right now outside the Akureyri Art Gallery, but the spring tree waits, covered in blizzard stuff.
Look how it springs up as a decoration across a treeless Icelandic landscape (which is also an artwork.) A fine reminder in the snow that everything other than the ice is art, whether human made or not, and that both kinds of trees are botanical treasures imported from another world.
There is an uncanny resemblance between these images. Note the object of the photo watching from within it.

Note how she looks off to the side, leaving the balancing point as white ice.

Note the reaching out and goofy eagerness, set against nature as if it were a part of it.
Note the cool self-assurance by which the non-human actors make the real statement in the scene.
Note the fragile sense of vulnerability of modernity and the troubled gaze out of class, strengthened by class achievement yet never certain.
Note the deliberate dissemination of confusion. You are being led around by people who have been herdsmen and fishermen for 1100 years, after all. As Margret told me last summer, you never know who is the elf and who is the human. You never know,.
Note how Icelanders dress as the visitors do to make everybody comfortable with these arrangements.
Funky, eh. Yeah, well, be strong.
Or blend in.