The windows of Iceland are for neither looking in nor looking out, but for display of earthly objects in the light of the sun, which makes them sacred: talismans, spells, and prayers. It is an exquisite and complex art form, quite separate from the 1960s New York art that saturates the Harbour Gallery (and which is also beautiful.) In their windows, the people speak; in their galleries, they create a window for the world, based on this style.

Tomorrow, let’s go for a gallery tour.
Category Archives: Art
Herding Tourists in Iceland
Poetry and Technology in Iceland
The approach of winter on northern earth is described by the angle of the earth to the sun, but look …
… is it not a story of light rather than mechanics? Here in Grundarfjörður, is it not a story of the light …
…separating from the dark earth and so revealing it?
It is not a scientific description, and yet as the light falls the earth becomes more purely light, and more purely cold.
Light is cold, in other words. This is wisdom, too. If we’re going to beat global warming, that light is going to need the respect now given to mechanics and technology. So is the cold, because they are the same. It’s not a linear understanding; it’s a global one. It is earth-thought.
Technology is not the end to science. It’s great stuff, but it’s not the goal, whatever the goal might be, or if it is the goal, then the goal is not of this earth, and that is a judgement humans have no right to make.
These are hard ironies. If technology is the path away from the cold, it is the path away from the sun.
It is the path away from the earth.
The knowledge and traditions of how to live with the earth are not lost. Here are two operating manuals. There are more.
The poets still know something of the earth.
It can be read by the sun. They know how to do this: how to read the sun, the earth and themselves on the body’s face.
They embody the sun. Fences aren’t for the light, and yet they cut it, nonetheless, …
… until the world becomes a series of fences. These are hard ironies, but not causes for despair; they still catch the light.
We can still follow it, but one thing remains primary. We have a right to the sun, to the earth, and to the cold.
The cleverness of ancient methods of mediation between earth and light are a richness of capacity rooted in ancient verse forms.
Make no mistake. This stuff can be read in detailed literary ways, and that’s an important tool for entering this technology. Read more by clicking here. Still, until you can read it in the earth, you have not entered its light.
Discarding this light, simultaneously of sun and earth and cold and warmth and mind, for physical technology is exactly what it sounds like: discarding them, and all their alternative forms of warmth…
… for physical technology, which is important.
But the path remains the old one.
It is to make people out of the earth. It is to bring the wanderers home.
Here’s one manual:
Here’s the obligatory legal warning to users.
Here’s another one of the manuals.
Here’s Gunnar’s quote from the title page, expanded in its original context:
He that entereth not by the door into the sheepfold, but climbeth up some other way, the same is a thief and a robber. 2 But he that entereth in by the door is the shepherd of the sheep. 3 To him the porter openeth; and the sheep hear his voice: and he calleth his own sheep by name, and leadeth them out. 4 And when he putteth forth his own sheep, he goeth before them, and the sheep follow him: for they know his voice. 5 And a stranger will they not follow, but will flee from him: for they know not the voice of strangers. John 10:1-5
Here’s its expansion:
11 I am the good shepherd: the good shepherd giveth his life for the sheep. 12 But he that is an hireling, and not the shepherd, whose own the sheep are not, seeth the wolf coming, and leaveth the sheep, and fleeth: and the wolf catcheth them, and scattereth the sheep. 13 The hireling fleeth, because he is an hireling, and careth not for the sheep. 14
In other words, look after your sheep; look after your land; be a man about this:
Gunnar left his hireling life in Europe
… and went to farm sheep in Iceland, from this house at Skriðuklaustur …
… after writing that. Was it a mistake? Well, he didn’t last long there, but the commitment was real.
And so light comes.
Gunnar meant that poetry and the land and honour were one. It was not literature. It was not a metaphor. This is not a metaphor.
A Jewel on Thor’s Shield
Myth is not a literal device. Thor’s Shield is a volcano in Iceland, in Middle Earth. It is rimmed with cinder cones. What follows is wit: poets competing with kings, using words alone. It’s smith-work, just as sword-forging is: what is svart is black, what smarts, hits. There are sparks. The words are all one word.
The shield is a shield. That’s the wit of it.
Knowing this was the business of kings.
In Iceland, Fences are Purely Decorative, But That’s Nice, Too
Hofstadakirkja in the Springtime
So, you’re in the North of Iceland and you get that old feeling …
… this is sacred space!
Well, it’s time to go to church. Here.
Here:
Here:
But, wait. It’s not that simple. Look at those drifts! You’ll throw a hoof. And then what? Drifts for you all March long, or forever. Brrr.
Best be careful. Scout things out.
OK, even the fences are drifts. Makes sense, right? They’re driftwood. Those Russians, eh! Well even the road is a drift.
But it looks easier than the ditch!
Take the road.
You have time for the welcoming committee, right?
The pregnant welcoming committee.
You do feel welcome, right?
Good. Don’t forget to say hi to your fellow worshippers. We don’t just worship in space here, but also in time.
Really, they’re the same thing.
You do, um, feel welcome, right?
Ah, the basement and community hall are drifted in. Best go upstairs.
Don’t worry, you can get in through the graveyard. This is Iceland. The dead aren’t dead, and you’ll join them soon enough. Might as well get on a first name basis now.
They have flowers, so that’s nice.
Hey, it was cold, so I wasn’t feeling all that vertical myself! Well, it sure looks nice in there. Let’s go in!
Watch your step! Ah, here we go.
The plastic is to keep off intruders from the dark place. The horses send them as a joke.
Ha ha ha.
Pulpit’s very nice, too.
Also Mary Queen of Heaven and her Son.
Not your typical Lutheran pair? Well, this is Iceland.
The house rules you already know, right?
And the reason the mountains sent you here? Even a bit of foundation shifting to get the nice new basement underneath for the whole community to gather hasn’t shaken him off the wall.
A bit of nationalism to sit on, ha ha ha.
Or a bit of glory from the continent.
Art. Painted on a bit of driftwood by the looks of it.
Well, and prayer.
And hope. This is Iceland. Be practical, and have a backup plan.
God is always listening.
And there is always music from Heaven.
Here.
Things have a different perspective from these dizzy heights.
More at home.
I mean
Back you go!
To the world.
Remember to come back next time you’re in the North.
It does.
So remember…
…life isn’t a full stop. And it isn’t the road to Akureyri.
And where you’re going.
Street Taggers Mailbox in Reykjavik
I present this image as an example of the current state of traditional Norse skaldic shield poetry — a traditional form of defensive armour, to verbally accompany intricate, interwoven carvings on shields, which told truth to a chieftain; if told intricately and wittily enough, it could change a chieftain’s path without forfeiting the skald’s head. It’s good to see the tradition continue, and with disposable beer glasses for all, too.
The Earth, Bleeding
Both these images of Icelandic birches were taken around 3 pm in early November. In the first, the red light is brightening the colour of the birches at Geysir.
In the second, the sun is blasting through snow at Hraunfosser, without diminishing the red of the birches.
Red is not a bright colour. That is not its strength.
There Are No Tours to Iceland
Beautiful Ice on the Glacial Lagoon
The sun is bright inside the ancient ice of the glacial lagoon.
As the ice melts away, the sun inside is slowly revealed.
This is an artwork written with the stone the glaciers cut out of the mountains many centuries ago.
They have come together again, in beauty.
This is the glory of the world.
Its moods are 50,000 years in the making.
Even the darkness is light.
You can see by it.
You have only a few minutes.
Begin.























































































